Grateful Dead Live at Oregon State University on 1970-01-17
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- Publication date
- 1970-01-17 ( check for other copies)
- Topics
- Live concert
- Collection
- GratefulDead
- Band/Artist
- Grateful Dead
- Resource
- DeadLists Project
- Item Size
- 800.5M
Notes
--Dire Wolf may/may not have been the opener. For that era, it was rarely used as an opener
--Dire Wolf cuts in after several verses
--the first minute of China Cat is missing
--an electrical buzz can first be heard during Mason's. It is less frequent after High Time, but can be heard in places for the rest of the set
--reel flip at 4:40 in High Time
--very brief Feelin' Groovy Jam at 12:55 in Dark Star
--a significant portion of Lovelight is missing
--Sound Forge was used for normalization and pitch correction. The pitch was flat by nearly a semitone on all circulating copies that I have sampled.
- Access-restricted-item
- true
- Addeddate
- 2004-05-30 19:58:45
- Discs
- 2
- Has_mp3
- 1
- Identifier
- gd70-01-17.sbd.cotsman.19283.sbeok.shnf
- Lineage
- SBD > MR > D > CD > EAC > SHN
- Location
- Corvallis, OR
- Shndiscs
- 1
- Source
- Soundboard
- Transferred by
- JCotsman
- Type
- sound
- Venue
- Oregon State University
- Year
- 1970
comment
Reviews
(18)
Subject: how fantastic is this web destination
Subject: "Mama McGhee's Clam Chowder"
& the boys are ON IT !
Subject: TDIGDH - 1-17-2020
@ Oydave, just in case you come back here, I wanted you to know that I'm with you on Mason's - just not a great tune. Again, ... as you said, it's not Wave to the Wind, but it's awkward and I've never heard a thoroughly solid version (and I've heard most.) However, it doesn't wreck the set...
Otherwise, this is a solid Winter 70 - High Time is nice, and the Dark Star is good top to bottom.
Subject: Church organ borrowed
This was a jaunt down to the Corvallis campus, in between two Gresham shows @Springer Ballroom. You can't really hear TC – nor the audience stomping, ... since shoes off was the condition of gym usage! It's a shorter show (of what we have), and they had just a brief set break.
First Set. There's probably a missing song before Dire Wolf. I Know You Rider is already different than '69s (those delicious versions from the '80s took hundreds of repetitions!). The warm-up happens here, followed by a good Hard to Handle. Cumberland isn't bad but it's no 12/31/69 or 5/7/70 (and an odd pick from the era for Workingman's). Me & My Uncle is brilliant – as most were in early '70. Garcia is so good, and though we can't hear TC, we can assume that's Pig on the borrowed church organ, making it unique. Jer pretty much leaves it all onstage for Black Peter – though it's not the best from winter '70.
Second Set. Mason's Children is not as struggled as on the 10th, but it's still no 1/2/70. High Time is good, like most were in '70 [there's a cut @4:40, missing about 45secs] but the peak of the show is the Dark Star. It's the 2nd of the year, and they played only 3 in 12 shows, making this the start of lesser frequency than in '69, as more songs were developed (it was played 70+ times in '69, 23+ in '70, 12 in '71). This is one of the most "out there" of the January Dark Stars (though 1/2/70 sounds better), if not winter '70. Note how @12:55, Phil & Jer simultaneously launch a Feelin' Groovy jam, that phylogenetically disappears as quickly. The rest is less adventurous, ending with a standard Love Light (Pig's "Mama McGee's Clam Chowder" is either an inside joke or a crude ref.). The tape ends at 13½mins, so we are missing anywhere from 5 to 20mins [supposedly a few more mins sometimes circ].
1st Set: B-
2nd Set: C
Overall = 2¾ Stars
Highlights:
Me & My Uncle – unique; church organ lugged to the gym for Pigpen's missing/broken unit
Dark Star – easy to miss yet one of the year's best
SOURCES: The clugston_2220 runs way too slow (a half tone), so use the cotsman_19283. Cumberland Blues is a bonus on the January-focused Workingman's Dead.
Subject: In formless reflections of matter
so I listened to 1968, 1969 and this 1970.
For me by 70 the Dead have mastered how to perform a well rounded set.
Their ... ability to mix in just the right amount of mellowness within their all out jam tunes will be the formula they will bank all the way to 1995.
The sweetness of the material from
American Beauty and Working Man's
also was just begging for some acoustic Dead.
Which they do pretty regularly in 1970.
As for this show it has that perfect blend of jam and ballads.
Best example of this is Mason's>High Time
It does not hurt to have it wrap up with
Dark Star>St.Stephen>The Eleven> Lovelight
Now that I have read Light into Ashes post on the "Feeling Groovy' jam I keep hearing it!
Subject: Excellent Dark Star
Subject: tc on keys
Subject: Ore-gone
Subject: Why DID they stop playing that song?
Why did they stop playing Mason's ... Children? Because it SUCKS! Sorry. Not quite the Wave To The Wind of it's day because it at least has a lot of group dynamic. but what a clunker. Every band has these tunes. The tragedy is when a great band drops a great tune. Bands do that, too.
Subject: Two favorites
Subject: killer Dark Star
Sadness - Lovelight just cut off prematurely. So I start again at Dark Star.
I believe Jerry's playing his SG. But what about TC? Was he gone by now?
Subject: St Stephen, Dark Star
Subject: okay, okay. i get it now.
jamming = snowflake porkpie rimshot daisychain.
mind = blown.
i understand now.
man, i love this archive. only a few thousand more shows to go until i've heard them all.
Subject: Yo, what a dark star???
Subject: Good China-Rider
Subject: Black Peter
Dark Star takes you places you have never been before.
Subject: Lost
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